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The cinematic history of old television shows brought to the big screen is a sad one, to say the least. Time after time, great shows have been adapted to film with less than stellar results. Sure, there have been a few good ones, but they’re the exception, not the rule.
So, I’ll spare you the long critiques and give you my one word reviews of TV shows adapted to film:
1. Fat Albert (2004) – Crap
2. Bewitched (2005)– Lame
3. The Honeymooners (2005) – Horrible
4. Get Smart (2008) – Awful
5. The Flintstones (1994)– Garbage
6. Charlie’s Angels (2000) – Lousy
7. The Mod Squad (1999)– Excrement
8. Speed Racer (2008) – Worthless
9. McHale’s Navy (1997) – Dung
10. The Avengers (1998) – Godawful
11. The Beverly Hillbillies (1993) – Mess
12. Dragnet (1987) – Trash
13. George of the Jungle (1997) – Shit
14. My Favorite Martian (1999) – Hellish
15. Lost in Space (1998) – Foul
16. Sgt. Bilko (1996) – Sinful
17. Wild Wild West (1999) - Waste
18. Dukes of Hazzard (2005) - Blows
19. I Spy (2002) - Fail
Starsky & Hutch doesn’t count considering it was much more of a parody than a faithful recreation. The same can be said for The Brady Bunch films.
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So, what is it? Why is it so damn hard to bring a TV show to the big screen? Perhaps, it’s because the shows were designed for 30-60 minute episodes, and translating it to a feature length film stretches them beyond their intrinsic limitations (i.e. Boss Hogg was funny in small doses, but not for an hour and a half for $8.00). Or maybe it has a lot to do with Hollywood’s laziness – just riding on the name and coasting. For example, relying on the “Mod Squad” title on the marquee to lure in audiences – actually trying to construct a quality script with quality acting does not seem to be of primary concern.
I’m inclined to think it has more to do with laziness. Case in point: both A Night at the Roxbury and The Blues Brothers were both movies based on popular skits from SNL. One became a classic, and the other…. well, the less said about it the better.